This is lesson 7 of 10 in Chapter 2 – Opening Images into Photoshop. Let’s get started!
Opening Adobe Bridge From Photoshop
To open Adobe Bridge from within Photoshop, go up to the File menu (in Photoshop) in the Menu Bar along the top of the screen and choose Browse in Bridge:
This launches Bridge where we see that I’ve already navigated to the folder on my Desktop that holds my images. There’s three images in the folder, and Bridge displays them as thumbnails in the Content panel in the center:
If we look closer, we see that all three images are of a different file type. The first image on the left (“motel_sign.dng”) is a raw file. The second image (“beach.jpg”) is a JPEG. And the third image (“horses.tif”) is a TIFF file:
How To Open Raw Files Into Camera Raw
Let’s start with the raw file (“motel_sign.dng”). Since Camera Raw was originally designed for processing raw files, opening raw files into Camera Raw is easy. All we need to do is double-click on the raw file’s thumbnail in Bridge:
This instantly opens the image into Camera Raw, ready for editing. Again, since Camera Raw is a big topic, we’re going to cover it in detail in its own series of tutorials:
Moving The Image From Camera Raw Into Photoshop
If I want to move the image from Camera Raw into Photoshop, all I would need to do is click the Open Image button in the bottom right of the Camera Raw dialog box. This applies to all three file types, not just raw files:
Closing Camera Raw And Returning To Bridge
Or, if I’m done editing the image in Camera Raw and simply want to close Camera Raw and return to Adobe Bridge, I would click the Done button:
This closes the Camera Raw dialog box and returns me to Bridge. And that’s really all there is to opening raw files into Camera Raw:
How To Open JPEG Files Into Camera Raw
Opening a JPEG file into Camera Raw is a bit less intuitive. Camera Raw fully supports JPEG images. But by default, Adobe Bridge opens JPEGs not into Camera Raw but into Photoshop. I’ll double-click on my JPEG file’s thumbnail (“beach.jpg”) in the Content panel in Bridge:
And here we see that sure enough, Bridge skipped the Camera Raw dialog box and sent my JPEG image straight into Photoshop:
That’s not what I wanted, so to close the image in Photoshop and return to Bridge, I’ll go up to the File menu and choose Close and Go to Bridge:
Double-clicking on the JPEG file’s thumbnail didn’t work, but it’s still easy to open JPEGs into Camera Raw from Bridge. All we need to do is click on the JPEG file’s thumbnail to select it. Then, go up to the File menu (in Bridge) at the top of the screen and choose Open in Camera Raw. Notice that there’s also a handy keyboard shortcut we can use, Ctrl+R(Win) / Command+R (Mac):
We can also right-click (Win) / Control-click (Mac) on the JPEG file’s thumbnail in Bridge and choose the same Open in Camera Raw command from the menu:
Either way opens the JPEG file in Camera Raw:
Editing The JPEG Image In Camera Raw
While I’m in the Camera Raw dialog box, I’ll make a simple edit to my image. I’ll boost the color saturation by dragging the Vibrance slider to the right, to a value of around +40. I know we haven’t covered anything about Camera Raw yet, but the reason I’m doing this will become clear in a moment:
Here we see that the colors are now looking a bit more vibrant:
Closing The JPEG Image And Returning To Bridge
Now that I’ve made that one simple change, I’ll close the Camera Raw dialog box and return to Bridge by clicking the Done button:
The Camera Raw Settings Icon
This returns me to Bridge. But notice that something is different. If we look in the upper right of the JPEG file’s thumbnail, we see an icon that wasn’t there before.
This icon tells me that I now have one or more Camera Raw settings applied to the image. In this case, it’s the adjustment I made with the Vibrance slider:
Opening JPEG Files With Camera Raw Settings Applied
Earlier, we saw that when we double-click on a JPEG file’s thumbnail, Adobe Bridge opens the image in Photoshop, not in Camera Raw. But, whenever we already have Camera Raw settings applied to a JPEG file, Adobe Bridge will automatically re-open the image in Camera Raw just by double-clicking on it.
I’ll double-click on the thumbnail, just as I did before:
And this time, because I had already made at least one adjustment to the image in Camera Raw, Bridge re-opens the image in Camera Raw for further editing:
To close the image and return to Bridge, I’ll once again click the Done button:
How To Open TIFF Files Into Camera Raw
The same rules for opening JPEG files into Camera Raw from Bridge also apply to TIFF files. Camera Raw fully supports TIFF images. But by default, double-clicking on a TIFF file’s thumbnail in Bridge will open the image in Photoshop, not in Camera Raw.
To open a TIFF file into Camera Raw, click on its thumbnail to select it. Here, I’ve selected my “horses.tif” image:
Then, just as we did with the JPEG image, go up to the File menu and choose Open in Camera Raw. Or, right-click(Win) / Control-click (Mac) on the thumbnail itself and choose Open in Camera Raw from the menu.
Or, another way to open images into Camera Raw, and this applies to all three file types (raw, JPEG and TIFF) is by clicking the Open in Camera Raw icon at the top of the Bridge interface:
Any way you choose opens the TIFF file into Camera Raw:
Editing The TIFF Image In Camera Raw
Just as I did with my JPEG image, I’ll make a quick edit to my TIFF file. This time, I’ll use Camera Raw to convert the photo to black and white.
Along the right of the Camera Raw dialog box is the panel area. The Basic panel is the one that’s open by default (which is where I made my Vibrance adjustment earlier), but there are other panels available as well. We can switch between panels by clicking on the tabs just above the current panel’s name.
To convert my image to black and white, I’ll open the HSL / Grayscale panel by clicking on its tab (fourth from the left). Then, I’ll choose the Convert to Grayscale option by clicking inside the checkbox. Finally, I’ll click the Auto option to let Camera Raw convert the image to black and white on its own:
Here’s what Camera Raw came up with. It’s not the most impressive black and white conversion, but for our purposes here, it will do just fine:
Closing The TIFF File And Returning To Bridge
To close the TIFF file in Camera Raw and return to Bridge, I’ll click the Done button:
Opening TIFF Files With Camera Raw Settings Applied
Back in Bridge, we see that I now have that same icon that we saw with the JPEG file, this time in the upper right of the TIFF file’s thumbnail. The icon is telling me that I have one or more Camera Raw settings applied to the image.
Notice also that Bridge has updated the thumbnail to reflect the changes I made in Camera Raw. In this case, the thumbnail has changed from color to black and white. Bridge also updated my JPEG file’s thumbnail after I increased the Vibrance in Camera Raw, but because the change was subtle, it wasn’t as easy to see:
Just as with JPEG files, TIFF files that already have one or more Camera Raw settings applied to them will automatically re-open in Camera Raw when we double-click on their thumbnail.
I’ll double-click on my “horses.tif” thumbnail, and here we see that the image re-opens for me in Camera Raw, with my previous black and white conversion already applied: